EFFECT OF LIGHTING

TINKER TAILOR SOLDIER SPY 

Tinker Tailor Soldier Spy sustains a low-key lighting throughout the film. It preserves the dark, unnerving feel of the narrative. It also relays the constant mystery applied in the pursuit of the mole and shows the sheer confusion the characters are enduring. Furthermore is gives an insight of their isolation within their pursuit of the mole as it gives rise to the notion of "trusting nobody".

SOMETHING ABOUT MARY

In Something About Mary, high-key lighting is applied all throughout the film. It suggests an optimistic feel as the narrative revolves around a protagonist trying to get the girl. The high-key lighting is also useful as the film reverts back to the past between the central character and the girl to illustrate the naivety and child-like feel of their younger days. The high-key lighting is also used to accentuate the slap-stick comedic element to the story. It could even to used to emphasize the confusion of 4 conflicting character going after the same girl.

 



LIMITLESS

Limitless utilizes both the high-key lighting and the low-key lighting and exploits them to provide a great sense of depth to the narrative. The low-key lighting are shown in the parts when the protagonist, Eddie Morra, is not using the 'limitless' drug whereas the high-key lighting is used when he is on the drug. The differ in lighting provides this deeper insight to the narrative as the low-key reinforces the nihilism and depressed life Eddie has and the high-key is used to convey and accentuate the feel of success and transcendence.